22 From ’22 | A Snapshot of 2022 {Avon Valley, Wheatbelt & Perth Wedding, Family, Event & Commercial Photographer}

As 2022 draws to a close, it's time to reflect on another successful year as both a photographer and a business owner, with 22 randomly chosen images featuring some of my favourite shoots, places, people and experiences from the last 12 months.

It’s always hard to choose such a small number of images from the wide variety of genres that I shoot, and there are honestly too many highlights to list, but the one that definately rates a mention is being awarded as a Finalist in the Owner/Operator category at the annual Wheatbelt Business Excellence Awards in October - hence why the last shot below made the cut! But there have been so many other special moments too, dotted in amongst the 50+ weddings, family, event and commercial gigs I’ve had the privilege of shooting in 2022. And because I can’t possibly list them all, I’m just going to give it to you in pictures instead!

So here they are, 22 memorable moments from 2022, in no particular order.  An eclectic mix of both client and personal images, which I feel best reflect both my style and the amazing people and subjects I regularly work with.

And a huge thank you to all of you who have made 2022 so rewarding for me.  Because without you, my fabulous clients, friends and family, I wouldn't have been witness to these moments, or had the opportunity to create these beautiful images.

Have a fabulous Christmas and New Year, and I'll see you all again in 2023!

Pathways To Wave Rock | A Regional WA Tourism Project {Avon Valley, Wheatbelt & Perth Commercial & Tourism Photographer}

Earlier this year I was approached by the Roe Tourism Association and invited to work on a project to produce visual content for Pathways to Wave Rock, a self drive tourist trail which loops through the south-eastern Wheatbelt, taking in the towns within the 7 Shires of Quairading, Corrigin, Kondinin, Kulin, Lake Grace, Narembeen and Bruce Rock. 

The aim of the project was to produce a library of tourism based images with a difference, for the purposes of promoting this vast and fascinating region to both local and international visitors alike. 

So in the months that followed, we traversed our way along the Pathways to Wave Rock, documenting the incredible towns, people and communities that we met and visited along the way.  And although it was an amazing experience in its own right, this project held a special place in my heart, because it’s the route my third great grandfather (ie great, great, great grandfather) John Septimus Roe took during his final expedition to open up new farming country in 1848.    

Captain John Septimus Roe was the first Surveyor General of WA, an Explorer, and a member of WA’s Legislative and Executive Council for 40 years, between 1829 and 1871.  He was offered the position of Surveyor General at the fledgling Swan River Colony in Western Australia sometime in 1828, married Matilda Bennett in February 1829, and set sail for WA on the Parmelia the same month.

With only one assistant, and both the Swan River and Fremantle townsites to survey, plus the potential farming land around both, he had his work cut out for him during the early years.  But he still managed to squeeze 13 children and a heap of exploring in, and to date, he’s probably best known as an Explorer, conducting 15 major expeditions across WA during his career. 

The final and largest of them all was his 5 month expedition to the south eastern part of the state, which we now refer to as the Roe Tourism area, between 1848 and 1849. This was the longest and most successful journey of exploration undertaken in Australia before 1850, and after arriving back in Perth, exhausted and sick at the end of it, at age 52, he decided to hang up his boots on the exploration side of things, and just continue surveying until his retirement in 1871. 

I am descended from his ninth child, Frederick Mackie Roe, who was also an Explorer, and who in conjunction with Charles Hunt, was responsible for opening up the road to the Goldfields by establishing a series of wells to enable travel to and from the region.

Frederick Mackie had three children, and one of them, Frederick William Roe (known as Willie) took up land in Grass Valley in the Shire of Northam, where my family has farmed ever since.

A number of JS Roes’ possessions remain in our family to this day, including his Surveyors Chain (a 66ft measuring chain of 100 links, each 7.92in in length), his wooden veterinarian box, which my dad houses his boyhood native bird egg collection in, a horse branding iron, believed to be one of the first registered brands issued in WA, and some studio portraits from the Manning Studio, which was the first photographic studio established in the Swan River Colony.

I find it remarkable that we’ve ended up with any of these things, given how many children he had, and how many they’ve all gone on to have over the ensuing 5 generations, and as a result, they are very special to our family.  

Producing content for the Roe Tourism Association and Pathways to Wave Rock project has been a dream come true for me, not only because of my love for the Wheatbelt and Western Australian farming communities, but because of my connection to both JS Roe and the route he travelled on his final expedition.

To have been able to follow in his footsteps (albeit from the comfort of a car!) and document the towns and people along the Pathways to Wave Rock has been the highlight of 2021 for me, and definitely one of the most memorable projects I’ve worked on during my career as a professional photographer, and I’d like to thank the Roe Tourism Association for providing me with such a wonderful opportunity.

I hope the following images, which are just a handful from well over 1000 delivered, do justice to both this incredible region, and to the man who passed through it on horseback all those years ago.

Harvest 2019 | A B&W Film Project | November 2019 {Perth, Avon Valley & Wheatbelt Documentary Photographer}

With harvest now done and dusted for another year, it’s time to share a little personal project I’ve been working on over the last month or so. As many of you know, I drive a truck for my brother during harvest each year, carting grain to CBH (Co-Operative Bulk Handling) in Northam, WA.

It’s hot, dusty, and a little relentless, but it gets me out of the office, back into the agricultural industry, and amongst the farmers and industry personnel I once worked with as an Agronomist. These connections are still an important part of my network, and lead to much of the agricultural photography that I do, whether it be for farming families, grains research companies or local machinery dealerships. Plus it’s just nice to help my bro out during a busy time, so even though it’s an extremely busy period for me (I still shoot weddings each weekend!), it’s totally worth it!

But I do need something to break the monotony, especially on days when the trucks are banked up in long lines at the bin, waiting to dump their loads. Most drivers will kick back in their cab reading the newspaper or Farm Weekly, or stand under the shade of the sample hut gossiping, but yep, you guessed it, I carry a camera! And as long as I’m in my high-vis, I can go pretty much anywhere on site, so it’s a great opportunity for both photography and meeting new people.

So this year, I decided to shoot it on black and white film. Why? Because I didn’t want any additional editing to do (4 weddings were enough!), and I found 3 rolls of expired Kodak BW400CN film in my stash. Plus I love my old Pentax K1000 film camera, and feel it really doesn’t get used enough these days. But mostly I just thought harvesters and paddocks and grain silos and trucks would look cool on B&W film.

What I didn’t count on though, was how difficult it would be to shoot from the truck using a fully manual camera (including manual focus!). It just can’t be done one-handed while the other hand is on the steering wheel, so the opportunities for quick captures of impromptu moments were limited. Which is why most of the following images were shot while I was parked up - because old school film photography just takes time!

So here it is, my portrait of harvest in black and white…

The Wheatbelt Way | A Road Trip | May 2018 {Avon Valley & Wheatbelt Documentary Photographer}

With my Autumn weddings done and dusted, I took the opportunity for a three day Roadie earlier this week, heading north-east to the shire of Mt Marshall on the edge of the Wheatbelt, where the Emu Proof Fenceline divides our farmland from station country.  

Late Autumn is such a beautiful time of the year out there.  The days are warm and still, the flies are (mostly!) gone, and the evenings cool.  But it's also the driest time of the year, normally following a long hot Summer, and before the first rains of Winter settle the dust and germinate the newly sown crops. 

Founded on a nomadic pastoral industry, which later included the cutting of sandalwood, the Shire of Mt Marshall takes in the tiny towns of Bencubbin and Beacon, running north to the Emu Proof Fenceline. Nowadays it mostly consists of vast areas of flat, open cropping country, pockets of bush teaming with native flora and fauna, long straight gravel roads, the remnants of small settlements, and some very large rocks.

So, armed with my Fuji XPro2 + 18-135mm lens, plus a few other essentials, like food, water, my coffee machine and a Wheatbelt Drive Trail Map, I headed east to the Beacon Caravan Park, to set up camp - ever conscious of the fact that I was going to be far more comfortable in my Donga than my great great great grandfather JS Roe would have been, when he first discovered and explored this country in 1836! 

  And for the next three days I drove long distances, trekked through bush, climbed rocks with easy to spell names names like Billiburning, Elachbutting and Beringbooding, and watched farmers kick up trails of dust across the landscape with their seeding machines.  I also walked through towns (both existing and extinct), and met a few of the locals, including Bruce and Mal, who offered me a stiff cup of black tea and a rollie, and took me through the Beacon Men's Shed, and a short history of the tractor in Australia. 

But mostly I just hung out on my own.  Sometimes it's good to just quiet the chaos, to switch off and celebrate the simple things in our own backyard. That's what this trip was all about for me. And maybe a little bit about taking photos too, because, well, that's just what I do! 

Why I Chose Pentax as My Weapon of Choice | Polka Dot Wisdom | Polka Dot Bride {Perth, Avon Valley & Wheatbelt Wedding Photographer}

A little article I wrote for the lovely ladies at Polka Dot Bride has just been published, and it goes something like this...

Hey, guess what?  I shoot Pentax!  Weird, I know?!  I don't think twice about it, of course, but every now and then I get asked why I chose Pentax as my camera system, usually by an observant wedding guest with an interest in photography, and almost always when I'm darting around grabbing shots, with no time to spare for explanations.  Well, it's mid winter now, and I'm buried in my office, with time to finally answer that question for you!

So why did I choose Pentax, when so many photographers have gone down the Canon or Nikon path?

Well, technically, Pentax chose me, when I joined my high school photography club and was handed one of the dozens of Pentax K1000's that the school loaned out to students on weekends, with a roll of film and a few vague instructions on how to use it.  My fate was then sealed in Year 11, when my parents returned from Bali with a K1000 they'd purchased for me Duty Free (thanks Mum and Dad!).

A couple of decades down the track, and I'm still shooting with that K1000, as well as Pentax's latest full-frame DSLR, the Pentax K1 (both pictured below).  And the reason I've stayed with this system is because Pentax make superb cameras and lenses.  They've been around forever, and have stood the test of time.  Their optics are incredible - they even make a medium format camera, the Pentax 645 Z, which just goes to show the level of build quality they are capable of.

They also boast a huge range of lenses, with many of the old manual film lenses being compatible with current digital cameras.  Which is a huge plus for me, because after so many years shooting Pentax, I now have a fabulous set of fast primes I can still use to create beautiful, dreamy images on your wedding day! 

And lastly, Pentax renders the final image with a lovely film-like quality, which goes hand in hand with my style, allowing me to produce images that hark back to the days of film, even when they're shot on the latest digital cameras.  So really, what more could I ask for in a camera system?!  Definately Pentax and proud!

Australian National Balloon Championships 2015 | Northam, Avon Valley Event | 24 August - 6 September 2015 {Avon Valley & Perth Event Photographer}

This year we were blessed to be able to host the Australian National Balloon Championships, right here in Northam, in the picturesque Avon Valley of Western Australia.

Last held here in 1981 and 1984, this event saw balloonists from Australia, China, Hong Kong and Japan fill our skies each morning at daybreak, in an explosion of colour, as they competed for the national title.

And I was lucky enough to be there. On the ground, and in the air. Over four mornings of 4am starts. And mostly on and over our family farm, which made it just that little bit extra special!

The following set of images were shot over those four mornings, as I tailed, launched and flew with local balloonists Pete, Mick and Andrew Clements from 'Team Jenna'. 

And all I can really say about the experience, is that it was completely stunning. We were blessed with morning after morning of soft light sunrises, fog in the hollows, and incredible Wheatbelt landscapes of canola and wheat, mixed with little pockets of Salmon and York Gum bushland.

It was a photographers dream come true, and I even learnt a thing or two about flying...